Once we got to the dance halls, white or black, it was fine. We just watched the locals and danced as they did, though not as well, I admit. Our west coast lessons had included a lot of open swing style moves, but we didn't see that in the early Louisiana years, just two-steps and waltzes. The Zydeco was two-step with full body contact a la Tango--in my mind just about as good a dance position as could be imagined. Anyhow, in the darkened Zydeco dance halls, we kept a low profile, just out there with everyone else, loving the music and the experience. Slim's Y Ki-Ki was one of those dance halls: Lawtell Playboys at Slim's Y Ki-Ki
I'm getting to This Ain't No Mouse Music! Most of our trips back there were during non-festival times, when tourists were scarce. However, we did go back during Festivals Acadiens et Créoles one year and ran into Irene Tenney who introduced us to Chris Strachwitz. Since that time we've encountered him many times on our musical travels. The just-released documentary on his life http://argotpictures.com/nomousemusic.html was a wonderful surprise to us. We knew so many of the faces in the film that for us it was a documentary of our life as well. We recognized some of the musicians in the film from when we had first seen them performing as small children with their parents.
This is truly a magnificent, one of a kind film, thanks to directors/producers Chris Simon and Maureen Gosling. If you care for authentic American music, see it!
For the performance near you, check http://argotpictures.com/nomousemusic.html - Kurt, this is for you: Los Angeles, CA
October 1-7, 2014
I'm almost done, but take time to see and hear the film trailer: